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Archive for June, 2007

My “Creative Maladjustment” Talk (by Steve Chase)

dalilama.jpgAs noted in a post on my Well-Trained Activist blog, I was recently a keynote speaker, along with Sarah Conn and Allen Kanner, at the Psychology-Ecology-Sustainability Conference held June 9-11 at Lewis and Clark College. I was the only non-psychologist among the keynoters, but my talk “Creative Maladjustment: Activism as a Way to Heal Self, Society, and Planet” was remarkably well-received and included a standing ovation by the 175 conference participants. I was very touched too when Allen Kanner, the founder of the Campaign for a Commercial Free Childhood, wrote to say, “I loved what you had to say in your talk, and how you said it.”

For anyone who would like a write up of my talk, please write me and I’ll send you a PDF version. Also, please free feel to pass it on to any friends, colleagues, or contacts you think might be interested.

Here’s a section from the talk to whet your appetite for more:

I do hear many activists complain that even well-meaning, pro-activist psychologists often fall into a very unhelpful psychological trap. This needs to be addressed before we can move forward together. Let me give you one very specific example of this unhelpful perspective. I found this example in the Psychologists for Social Responsibility book on Working for Peace I just mentioned. In it, there is a very interesting, but confusing piece by Dr. Christina Michaelson, a clinical psychologist who practices and teaches in Syracuse, New York.

Michaelson’s research interests include Eastern psychology, meditation, and inner peace and her essay in the book is called “Cultivating Inner Peace.” There is so much that is useful in this essay, so let’s start with that. First, there is absolutely no question that Michaelson is maladjusted to the world of violence and imperial war. In her essay, she also lauds all peace activists who “invest tremendous amounts of time, talent, energy, and resources into changing the world.” She also wisely claims that this work can be made even more effective, and more soul-satisfying, if peace activists cultivate their own inner peace through such methods as meditation, nature experiences, counseling, and prayer. I am completely with her on all of this.

Yet, in just her second paragraph, Michaelson says something I think we need to question. According to Michaelson:

If you’re to bring peace to others, then you must first manifest peace in your own life. Your peace work in the world should begin with cultivating an inner state of peacefulness and then you truly can offer peace to others. Mahatma Gandhi said, “Be the change you want to see in the world.” If you want to see peace in the world, then you must “be” peace in the world.

Now this all sounds pretty good on the surface, but I sense in her repetitive first/then formulation that she is actually counseling would-be peace activists to delay their outward social activism until they have cultivated a deep inner peace. She explicitly says it twice and implies it a third time in just this one brief passage. Her advice to her readers seems to be: first cultivate inner psychological peace and then, and only then, think about investing your “time, talent, energy, and resources into changing the world.”

If this is true, then Michaelson’s linear “personal growth first and then activism” idea is not only a serious misreading of Gandhi’s strategy for ending British imperialism, but is also an unconscious call to social passivity and foregoing outward activism until some unspecified future. This is just not helpful. As Paul Rogat Loeb notes in his book Soul of a Citizen, many people already hold back from becoming engaged activists because they believe that they have to be saints before they begin. As he says:

Many of us have developed what I call the perfect standard: Before we will allow ourselves to take action on an issue, we must be convinced not only that the issue is the world’s most important, but that we have perfect understanding of it, perfect moral consistency in our character, and that we will be able to express our views with perfect eloquence… Whatever the issue, whatever the approach, we never feel we have enough knowledge or standing. If we do speak out, someone might challenge us, might find an error in our thinking or an inconsistency-what they might call a hypocrisy-in our lives.

As a result of believing in Michaelson’s version of “the perfect standard,” many people I know either turn away from activism altogether or work endlessly in personal growth workshops to prepare themselves for a day that rarely comes–when they finally feel that they have met the perfect standard and can actually become activists out in the world. This is disheartening to me because I haven’t seen much evidence that this approach does all that much to help people move towards greater empowerment and wholeness in their lives. I also can’t think of a time in history when it has ever led to social movement success. Time and time again, effective social movements have been made by people who don’t wait on perfection, but who just get active by hook or crook.

[To give folks an example, I told the story I’ve told before of Martin Luther King’s messy journey to activism in 1955.]

The Animal Art of Melissa Miller (by William Lynn)

miller_2000_sheep.jpgThere is a lovely essay in the Chronicle of Higher Education about the animal art of Melissa Miller. The text is excerpted below. Alongside the beauty of the work, what struck me was the subject of animal art being a career sin for artists. Shades of my conversation with the curators at the Ashmolean Museum several years ago! See Animal Art: Ashes and Snow. If the Chronicle’s treatment of Miller’s work is any indication, this self-absorbed anthropocentric prejudice may be changing.

Melissa Miller doesn’t play by the rules. She has willingly committed serious sins for a contemporary American artist: She paints animals, she composes narratives and allegories, she deals openly with sentiment and feeling, her sources are in both Asian and European art, her treatment of nature is not mediated or ironic, and she lives in Texas. …

Never obvious or one-note, Miller’s paintings enjoy a poetic ambiguity that generates feeling and sparks the imagination. Despite various shifts in style over the years, the open-ended lyricism of her work has remained a constant. After achieving acclaim in the early 80s for action-packed narratives set in lush imaginary pastures, oceans, and jungles, she turned to more symbol-laden allegories, including supernatural and spectral creatures. In more recent paintings and watercolors, she has presented pastoral tableaux that demonstrate a becalmed, prescriptive serenity. Miller’s development evinces her continuing engagement with the natural world, one that reflects our complex and often contradictory relationships with animals. …miller_1985_zebras_hyenas.jpg

After the turmoil of her earlier paintings, Miller’s pacific settings seem well earned. These are the mature reflections of more than two decades of thinking about the role of animals in our culture and the hierarchy of power in society. The tolerance portrayed in the works depends on the domesticated animals’ transcendence of violent instincts, primal fears, and rivalries of breed. The tranquil, trouble-free groupings describe a barnyard utopia that clearly might serve as a model for our species. Presented with good-natured, deadpan humor, Miller’s pastoral paintings realize a fanciful wish fulfillment, a vision of peace in our own back forty. …

Miller’s paintings explore issues basic to both beast and man, such as power, instinct, affection, transformation, fantasy, tolerance, and betrayal. Shaping allegorical tableaux through her poetic sensibility, Miller has created a complex body of work that melds our experiences with those of other species, reflecting the symbiotic relationship of all living things.

The paintings, by Melissa Miller, and text, by Michael Duncan, a corresponding editor for Art in America, are from the book Melissa Miller, just published by the University of Texas Press. (http://chronicle.com, 15 June 2007, Section: The Chronicle Review, Volume 53, Issue 41, Page B15)

You can see more of her work online at websites like www.artcyclopedia.com/artists/miller_melissa.html.

Photos: Melissa Miller, 2000, Sheep, oil on canvas; Melissa Miller, 1985, Zebras and Hyenas, oil on canvas.

Grand Canyon Wolf Recovery Project

GCWRPAbout a month ago I attended the North American Wolf Conference in Flagstaff, AZ. While there I learned of a new organization dedicated to restoring the wolves to the Grand Canyon ecoregion. Here is brief extract from their website.

The Grand Canyon Wolf Recovery Project (GCWRP) is a coalition of conservation organizations, zoos, universities, and individuals from throughout the southwest, who have come together to support wolf recovery in the Grand Canyon Ecoregion (GCE), because science tells us it is the last best place for wolves in Arizona.

The organizations involved with the coalition have a long history of success with predator issues. Coalition members, including Defenders of Wildlife, Sierra Club, and the Center for Biological Diversity were instrumental in returning the wolf to southeastern Arizona and southwestern New Mexico, through the Mexican Wolf Recovery Program. Many of the organizations are currently working together on the upcoming forest management plans to ensure that lowered road densities, recovery of other native species, and extirpation of non-native species, are a priority, creating safe havens and safe passages for wildlife and paving the way so that some day we may hear the sound of wolves howling across Arizona.

For more information about the project, contact:

Paula Lewis
Coordinator
Grand Canyon Wolf Recovery Project
P.O. Box 1594
Flagstaff, AZ 86002
(928) 202-1325
info@gcwolfrecovery.org

Animal Art and ‘Earth Mother’ (by William Lynn)

Earth Mother.jpgThe Worcester Art Museum (WAM) may be small by the standards of the Met, British Museum or Louvre. Nevertheless, it is amazingly well appointed and a visual pleasure. As noted in a previous post two of my main interests in art are the depiction of animals and landscapes. The WAM is filled with treasures on this account. Here is one of its gems — ‘Earth Mother’ by Sir Edward Coley Burne-Jones, Encaustic on Panel, 1882.

According to the WAM catalogue:

Burne-Jones was a second-generation member of the pre-Raphaelite artists, who rejected the growing materialization of industrialized England. Instead they focused on the comparative simplicity of the medieval world and the art of Italian painters prior to Raphael. Earth Mother, which shows the influence of Renaissance artists like Botticelli, was painted by Burne-Jones in connection with his series of stained-glass windows representing the planets. Here is an allusion to Earth Mother’s role of nurturing all life: human, represented by the child; animal, by the wolf; and horticultural, by the trees and vegetation. The snake next to the feet of Earth Mother symbolizes fertility and relates to Ceres, goddess of earth. To show earth’s role in the transitional nature of water, the allegorical figure is represented holding up a blue jar that produces clouds, rain, and eventually a stream below. To create the ivory like skin of the figures and the rich textures throughout, Burne-Jones employed the ancient technique of encaustic. The pigments are bound in a wax medium, over which the artist applied oil glazes and, in certain areas, minute touches of gold for an even more decorative effect.

Two interpretations sprang to my mind when viewing this painting. The first is its neo-pagan sensibilities. Of all the European religions, old and new, neo-paganism may have the most to teach us about animals, animality and nature-society relations. This is not because the old religions necessarily valued animals in an especial moral way, although some did. Rather it is because neo-paganist paradigms for understanding people, animals and nature use the body as a metaphor for individual, social, and ecological wholeness, integrity, health and well-being. Certainly a far more congenial metaphor than machine, cybernetic device or social construction. The second is of course the wolf and the snake. Both creatures have been reviled in Western thinking about animals and nature. Yet here they participate as valued member of a mixed community of humans and other animals, a broader body politic so to speak.

And note the wolf’s eyes. She’s looking at you…

cheers, Bill

Theorizing Animals

thinker.jpgCall for Papers
Working Title: Theorizing Animals

Edited by Nicola Taylor & Tania Signal

Challenges to existing paradigms appear in many forms and perhaps the most recent, and possibly the most serious, has presented itself in the form of the burgeoning field of human-animal studies. Contributions are therefore sought for an edited collection which will address current theoretical approaches towards human-animal relations. We anticipate that this multi-disciplinary collection will include works informed by social scientific, psychological, philosophical, and political disciplines though literary and cultural studies perspectives will also be considered. Articles examining any aspect of human-animal relations are welcomed; we are not limiting this collection to an examination of human-companion animal studies. We expect to place this book with a major academic trade press.

Questions are welcome and should be directed as below.

Please submit papers or detailed abstracts (c. 1000 words) as a .doc or .rtf attachment by August 31, 2007 to:

Dr Nicola Taylor
Senior Lecturer, Sociology
School of Psychology & Sociology
Central Queensland University
Rockhampton 4701
Australia

Email: n.taylor with cqu.edu.au

Please include a brief author biography.

Editorial team details can be found at:
http://fseh.cqu.edu.au/FCWViewer/staff.do?site=100&sid=TAYLORN

http://fseh.cqu.edu.au/FCWViewer/staff.do?site=100&sid=SIGNALT

Camilla Fox (by William Lynn)

camillafox.jpgCamilla H. Fox
P.O. Box 5007
Larkspur, CA 94977
415.690.0338 (mobile)
415.945.1354 (fax)
chfox@earthlink.net
www.practicalethics.net/blog/camilla-fox

I have the pleasure of introducing yet another remarkable person, who is both a columnist on Ethos and an advisor to Practical Ethics.

Camilla Fox is a wildlife advocate, consultant, writer, and speaker with over 20 years of experience working on behalf of animals and the environment in the United States and internationally. A recognized expert and leader in her field, she has worked for several nonprofit organizations including the Fur-Bearer Defenders, Rainforest Action Network, and most recently the Animal Protection Institute (API) where she served as both Director of Wildlife Programs and National Campaign Director for 10 years. Camilla has spearheaded national and international campaigns aimed at reducing trapping cruelty and lethal predator control, protecting native carnivores, and fostering humane solutions to human-wildlife conflicts. Prior to working for API she served as the Executive Director of the Fur-Bearer Defenders where she became known for her work on trapping and furbearer protection.

A frequent speaker on these issues, Camilla has also authored more than 60 publications and is co-author of Coyotes in Our Midst: Coexisting with an Adaptable and Resilient Carnivore and co-editor and lead author of Cull of the Wild: A Contemporary Analysis of Trapping in the United States. She also produced the award-winning documentary Cull of the Wild: The Truth Behind Trapping. Camilla currently consults for a variety of clients including nonprofit organizations, government agencies, and municipalities helping to foster humane, effective, and practical solutions to human-wildlife conflicts and to reduce unnecessary cruelty and exploitation of wildlife.

Camilla holds a Master’s degree in Environmental Studies with a focus in Wildlife Conservation, Policy, and Ecology from Prescott College and a Bachelor’s degree from Boston University where she graduated magna cum laude and co-founded the B.U. Students for the Ethical Treatment of Animals. She has served as an appointed member on the U.S. Secretary of Agriculture’s National Wildlife Services Advisory Committee and currently serves on several national and local coalitions and advisory boards. In 2006, Camilla received the Humanitarian of the Year Award from the Marin Humane Society and the Christine Stevens Wildlife Award from the Animal Welfare Institute.

Selected publications:

Fox, C.H. and M. Bekoff. In press. Ethical Reflections on Wolf Recovery and Conservation: A Practical Approach for Making Room For Wolves in: M. Musiani, L. Boitani, and P. Paquet (eds.), The World of Wolves: New Perspectives on Ecology, Behaviour and Policy. University of Calgary Press, Calgary, Alberta.

Fox, C.H. 2008. Analysis of The Marin County Strategic Plan for Protection of Livestock & Wildlife: An Alternative to Traditional Predator Control. Master’s thesis. Prescott College, Prescott, Arizona. 112 p.

Fox, C.H. 2007. Trapping Animals. Pp. 984-989 in M. Bekoff (ed.), Encyclopedia of Human-Animal Relationships: A Global Exploration of Our Connections with Animals. Greenwood Publishing Group, Westport, Connecticut.

Fox, C.H. 2007. Coyotes, Humans and Coexistence. Pp. 311-313 in M. Bekoff (ed.), Encyclopedia of Human-Animal Relationships: A Global Exploration of Our Connections with Animals. Greenwood Publishing Group, Westport, Connecticut.

Fox, C. H. 2006. Coyotes and humans: can we coexist? Pp. 287-293 in: R.M. Timm and J. H. O’Brien (eds.), Proceedings, 22nd Vertebrate Pest Conference. Publ. Univ. Calif.-Davis.

Hadidian, J., C.H. Fox, and W.S. Lynn. 2006. The ethics of wildlife control in humanized landscapes. Pp. 500-504 in: R.M. Timm and J. H. O’Brien (eds.), Proceedings, 22nd Vertebrate Pest Conference. Publ. Univ. Calif.-Davis.

Fox, C.H. 2006. Seeking Justice. Animal Issues 37:12-13.

Fox, C.H. 2006. Standardizing Cruelty: The International Trapping Debate. Animal Issues 37:18-21.

Fox, C.H. and C.M. Papouchis. 2005. Coyotes in Our Midst: Coexisting with an Adaptable and Resilient Carnivore. Animal Protection Institute, Sacramento, California

Fox, C.H. July, 2005. Close Encounters of the Coyote Kind. Wildlife Tracks. Humane Society of the United States, Washington, D.C. Available online at:
http://www.hsus.org/web-files/PDF/Tracks-fall-coyotes05.pdf (accessed January 10, 2008).

Fox, C.H. March 2005. Pet Peeved: You’re Working Like a Dog. But How is Your World Schedule Working Out for your Faithful Friend? Experience Life 7:78-80. Lifetime Fitness, Eden Prairie, Minnesota. Available online at: http://www.lifetimefitness.com/magazine/index.cfm?strWebAction=article_detail&intArticleId=355 (accessed January 10, 2008).

Fox, C.H. and C.M. Papouchis (eds.). 2004. Cull of the Wild: A Contemporary Analysis of Wildlife Trapping in the United States. Animal Protection Institute, Sacramento, California.

Fox, C.H. March-April 2004. God’s Dog: Learning to Co-Exist with Coyotes. Wild Mountain Times, Asheville, North Carolina.

Fox, C.H. 2004. Wildlife Trapping, Behavior, and Welfare. Pp. 1170-1176 in: M. Bekoff (ed.), Encyclopedia of Animal Behavior. Greenwood Publishing Group, Westport, Connecticut.

Fox, C.H. 2004. Close Encounters of the Coyote Kind. Animal Issues 35:14-17.

Fox, C.H. 2004. Cull of the Wild. Wild Earth 13(4):54-60. Richmond, Vermont: Wildlands Project.

Fox, C.H. 2004. Wildlife Control Out of Control. Animal Issues 35:15-18.

Fox, C.H. 2003. What About Fluffy & Fido? Pp. 52-56 In J. de Graaf (ed.), Take Back Your Time: Fighting Overwork and Time Poverty in America. Berrett-Koehler Publishers, Inc., San Francisco, California.

Fox, C.H. 2003. Predators, Politics, and Prejudice. Animal Issues 34:22-29.

Fox, C.H. 2002. National Wildlife Refuges: Sanctuaries or Killing Fields? in: K.W. Stallwood (ed.), A Primer on Animal Rights. Lantern Books, New York, New York.

Fox, C.H. 2001. Taxpayers say no to killing predators. Animal Issues 31:26-27.

Fox, C.H. 2000. Deadly Refuges. Earth Island Journal 15:27. Earth Island Institute, San Francisco, California.

Fox, C.H. 1999. (Report) Trapping on National Wildlife Refuges: the History and Current Status of Trapping on the National Wildlife Refuge System. Animal Protection Institute, Sacramento, California.