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Delilah and Cow Tag

longhorn.jpgDelilah and I lived in the converted loft of a barn. [For the story of how we met, go to the Delilah: In From the Wild post.] While the space itself was tiny, it had a huge second story deck, with marvelous views of the Poultney River valley, as well as the Adirondack, Taconic and Green Mountains. Surrounding it was ten acres of grazing for cows, and beyond that, a mixed coniferous forest filled with wildlife — deer, wild turkey, bear, bobcat, coyote, the occasional fisher, perhaps a catamount now and then. At night, the sky was nearly as dark and star-filled as that of northern Ontario or the Boundary Waters Wilderness of Minnesota. My landlords (Tom and Sandy) and their children (Chantal and Savannah) were a delight.

Makes me wonder why in the world I ever moved into the NYC Metro area!

One aspect I liked about living there were the dairy cows that grazed around the barn. I would come home from work and call to the ‘girls’. A small herd would come thundering over the hill to greet me. This was a bit unnerving with such big creatures running directly towards me. Yet they knew their distances and timed their halt to perfection. Cows are smarter and more active than the word ‘bovine’ conveys, especially when they graze free-range and interact with humans and other animals as individuals. Some are shy and standoffish, others bold and affectionate. Daisy was the latter. She would lean over the electric barrier, place her head on my shoulder, and nuzzle. The kids were far bolder than I, walking amongst the herd without a care.

From the comfort of the deck, I used to watch a hilarious game of chase I called ‘cow-tag’. Delilah would start the game by visibly going on the prowl in front of the cows. One moment they would be looking at each other. The next she was virtually invisible, slowly stalk them in the tall grass outside their enclosure. A cow’s ears would perk up, the head lift, and a low moo issued. The herd was on notice, and many glanced in the direction they thought Delilah would come from. They would mill about, but when she was very close, turn their backs as a herd to her. Very curious behaviour for a prey species, a? With the requisite feline tail swishing, Delilah would spring her ambush. She’d fly out of the grass (she is swift!) and bat the closest leg that presented itself. That cow would sound an alarm, and the whole herd would run off with Delilah in hot pursuit. They’d go some distance and then suddenly swing around, charging back towards Delilah. She’d turn tail and run like hell. They’d chase her to the edge of the electric fence, but never run her down. After a suitable period of grooming and grazing, Delilah might touch noses with some of the cows, or rub along their legs. All in all, it was a remarkable interaction for a little wild cat and a herd of dairy cows, neither of whom is suppose to have consciousness according to many religious and scientific dogmas of our day.

As a point of information, the family treated their cows very well, and in many cases developed deep emotional attachments to the more social of them. They were replacement heifers — back-up milk cows — and all of us felt the loss when one was carted off to an industrial dairy operation. The contradictions of contract ‘family farming’, the well-being of animals on their land, and the tragedy of what eventually befell them were readily apparent to the family. Sadly, like so many other rural families, they were caught in our distorted system of industrial animal production and marginal rural economies that corporate acquisitions and mergers, government subsidies and American culture has encouraged over the last half century.

The ethics of agricultural animals is a hot topic today. Few arenas present so much suffering, and at such a vast scale. Estimates vary, but it is safe to say that tens of billions of animals are slaughtered worldwide, many having lived through and died in the most inhumane conditions. As a culture and a species, we should not be proud of this. Delilah and the ‘girls’ represent but one instance of a growing body of experiences, experiments and evidence demonstrating (for the Nth time) what we already know — most if not all farm animals are self-aware creatures living complex emotional and social lives. The responsibility to treat them with compassion and forecaring is ours. For many animal advocates, this means ending all agricultural uses of animals, and the practice of a vegan lifestyle.

I have several friends who are vegan animal advocates. I admire their lives of compassion, and their effective work on behalf of wild or domestic animals. And yet, ethically, I don’t think it is necessarily wrong to raise animals for food or fiber. Is there no substantial difference between obese Americans shoveling down yet another feed-lot steak, while Sami herders slaughter a reindeer for ceremony, food and materials? And is there nothing in the predatory aspects of an omnivorous species like ourselves to be valued? Do we play into the primitive/civilized dichotomy when we excuse animal use for less technologically oriented cultures, but then link industrial progress to the abolition of animal use? Do we go as far as a recent set of articles in New Scientist (’Animals and Us’, 4 June 2005, www.newscientist.com), and envision a day where abolition has ended even companion animals? I know that I can’t properly answer these questions and their retorts here and now. But I raise these questions in the hope they at least give us pause from asserting simplistic statements about right and wrong. A more nuanced practical ethics should be able to recognize a range of legitimate relationships between human and other animals.

Nevertheless, trying to take a situated approach to farm animal ethics should not be confused with excusing animal abuse. Factory farms conditions are general abhorrent. Nor are ‘traditional’ family farm operations necessarily much better. While family farms may have offered more opportunities for the caring husbandry of animals, we cannot assume that this was always or mostly the case. One has to reserve judgment, and look to both the intentions and practices of the farmers, as well as the welfare of the animals themselves.

Cheers, Bill

Delilah: In From the Wild

delilah shelf.jpgDelilah was what my landlords called a ‘wildcat’: a feral cat, Felis catus, not a Bobcat or Mountain Lion. She was also a well-known terror on the mountain ridge where I lived while a professor at Green Mountain College in Vermont. I was told she was the only known survivor of a cat colony up the road in an abandoned farm house. Apparently the colony vanished over the previous winter. Delilah had caught people’s notice as a wide-ranged adolescent the previous fall, visually distinctive and bold beyond measure. I first noticed her skirting the edge of fields, or dragging game into the forest. A swirly, swishy and seriously deadly feline of small proportions.

At some point she took an interest in me. I would catch glimpses of her observing me from the high grass of a field, or high above from the limb of a tree. Over several months time she came closer, especially at dusk. I would come home to find her on the deck (she would scoot the moment she saw me). Sometimes she’d leave a head or wing or inedible part at the very top of the stairs. Like a gift. We went through a period where she would appear on the far end of the deck while I was having my morning coffee and reading. We’d gaze at each other a bit, and then settle down into shared space. As I later learned, all this is common behaviours for cats getting to know one another in overlapping territories. Back then, when I spoke to her, she was simply ‘Babe’.

It was perhaps six months after she started watching me, that we both took a great risk. I slept outside most nights when I lived in Vermont. I had a second story deck, and the stars were incredible. As long as it wasn’t pouring or below zero, how could one resist? (OK. Recall that I’m from Canada and love winter. Anyway….) I awoke one cold November morning about 03.00 to find her nestled in my sleeping bag. Not surprisingly I startled and she bolted. But she came back the next night, purring up a storm and bumping her head on mine, and with much trepidation, I welcomed her into the bag. This is how she became known as Delilah, from the ancient tale of that bold and beautiful seductress by the same name.

She fed herself for the first year, generally bringing something home for me to discover. It was another six months before she would come inside. In late 2000 we moved into the NYC metro area, and she’s adjusted to living inside quite well. She still has a surprising habit of leaving the heads of little beasties in front of a door, arranged with the eyes and nose pointing toward the entering visitor.

Even so, we are learning how to live together. She had to discover that affection was not an affront or attack. I earned quite a few skin-piercing bites during this time. For my part, I’ve had to learn how to slowly introduce greater trust in our relationship, generally by waiting for signals from her. Her first visit to the vet was a tad traumatic, with everyone wearing gauntlets. In 2001 she discovered that ‘chase and tag’ with humans could be a game. And it was in the fall of 2003 that she suddenly plunked down on her side and invited me to rub her tummy for the first time.

And from the first night in that sleeping bag, we have spent virtually every night together since.

More on what my experience with Delilah has taught me about ethology and ethics in later posts.

Cheers, Bill

Delilah

delilah-goddess.jpgSeveral people have asked for a photo (and the story) of the feral cat I mentioned in my post on animal art. Here she is! Her name is Delilah. I’ll post our story later this week.

cheers, Bill

Animal Art in the Ashes and Snow Exhibit

ashes-and-snow.jpgIf you’ve visited my website, you already know the pleasure I find in the visual arts. I don’t pretend to be very knowledgable about them. I did grow up in a family where beauty and the arts were valued. And I am lucky to have several friends who share their skill and insights on the formal and contextual interpretation of art. My own interest has settled on depictions of animals, landscapes and nudes, especially their implications for how we experience people, animals and nature. Yet it is the art of animals that fascinates me most.

A funny story. A couple of years ago I was at a conference at Oxford University. I spent some of my free time at the Ashmolean Museum. The ‘Ash’ is a venerable institution, the oldest public museum in England, and an artistic repository of Empire. Parts of the museum are like walking through a garden shop, it being so full of a hodge-podge of objects looted from across the world. While walking about, I noticed a stunning array of animal art, much of it from a time of exploration when traditional creation stories about the animal order were being challenged by the natural histories and geographical expeditions of the time. I tried to talk to one of the curators about this. She smiled indulgently and intoned, ‘We don’t do animal art. That is for children’. Hmm…. You can visit the Ashmolean at www.ashmol.ox.ac.uk.

In contrast, Gregory Colbert does animal art, and I think you’ll find his ‘Ashes and Snow’ exhibit remarkable. In an NPR story, Margot Adler provides an extraordinarily sensitive review. Adler alludes to the spiritual, sensorial and even sensual aspects of the exhibit. Her interviews draw forth a wide set of reactions to animals — respect for non-human others; sadness at the loss of biodiversity; the possibility of peacably dwelling with wild beings. I came to a fuller awareness about our ethical responsibilities to others because of the attentions of a feral cat, and Adler’s story struck a resonant cord in me. It may with you. For Adler’s narrative and a gallery of images, please visit www.npr.org/templates/story/story.php?storyId=4651380. For the exhibit website, www.ashesandsnow.org.

cheers, Bill